Tsunami Stories Help Make it Real

March 30th, 2010

Part of modern life is having access to the tragedies all around us on what seems like a daily basis. And yet how do we connect with them, the hurricanes, the earthquakes, the fires…how do we feel them and empathize with those that are suffering? It’s a question that seems to hit me with every tragedy: how to make it real?

Maybe it just does take five years to collect them. Here’s an amazing set of first person stories from the tsunamis that do just that. I also really like the combination of still image, b-roll footage, personal footage, and interviews. Also includes an interesting interactive map.

Created in part by the folks from MediaStorm.

Real Stories from the Tsunami

Real Stories from the Tsunami

The Storytelling is a-Changin’

March 15th, 2010

Here’s a very interesting post I just came across, further reinforcement to me that the nature of how we tell and distribute stories, and how we bring ideas to reality in our communities are dramatically shifting. Admittedly, I haven’t seen this yet executed, but that’s not really the point to me. The point is it’s being discussed, explored, acted upon. Media—>Action

From Robert Patterson’s blog:

The New Reality of Engagement – Stories that Drive Action

Why should we measure story in a new way? Because using story well is our great chance in public media to be the leaders of our time. To help Americans take back their power to control their lives and their communities.

How do we do this?

Deep change is all about a change in the collective story. It is a change in the way that people, think, feel and act.

* First of of all, there is the the appearance of a new and way-out idea that violates the status quo – such as say Local Food – the 100 mile diet. The idea itself is tested by the immune system of the wider community. Often a breakthrough is accelerated by a good book – for Food: The Omnivore’s Dilemma. For the Environment: An Inconvenient Truth. In 1776, “Americans” are stirred by a way out new idea that a people did not need a King. No book but a document, the Declaration of Independence, filled with ideas that were not self evident at the time, energized people to defeat the greatest world power of the time. They made the idea of democracy real. This is how all new paradigm stories start.

Complete story here.

“My Dinner with Andre” just gets more amazing.

March 10th, 2010

I remember when my parents came home from watching “My Dinner with Andre.” I must have been 12. They raved about it for weeks. “It’s about two people sitting and eating dinner, telling stories,” said my mom. Then when it first came out on TV we watched it together. I loved it, and have seen it probably twice since, once every 15 years. It just gets more amazing! Deep powerful conversations on the edge of life. Visions of loss, of completeness, of reckless adventure. And not even in 3-d. It’s inconceivable!

Vision + Timing + Action = Change

March 9th, 2010

Amazing video about a good idea whose time (and incredible support) had come. In Estonia on May 3, 2008 with help of 50,000 volunteers and an amazing media campaign, more than 10 000 tons of garbage that had been dumped in the forests was cleaned up.

A Recipe for Good Crowdsourced Storytelling

March 4th, 2010

A Recipe for Good Crowdsourced Storytelling

A long time ago, in the summer of ’01, in the wake of the dot-com bust, I created a series of underground interactive travel story show called “Journeys.” The motivation was to capture the stories of the people that had come to San Francisco from all corners of the globe…before they went home. The show was made up of a combination of professional performers and raw audience stories, all backed up by a great three-person music ensemble.

So why, you ask, am I bringing this up now? I most recently completed a consulting project helping a company create a strategy for crowd-sourcing video stories from their biggest fans. I drew a lot of the ideas from my experiences in putting on the Journeys shows. While the notes below were about creating a powerful audience-storytelling environment in the theater, I find them relevant to the user-generated content world.

Provide a clear framework for each show (or genre). Our story recall is like a searching a hard drive: the more specific the search the better. A clear invitation (theme: Lost in Translation: Language Mishaps) is both easier for the storyteller and clears the path for a more interesting experience overall. Reflect the power of the stories we bring, and that everyone has a story.

Have a clear, strong story invitation. Make sure potential storytellers know how we define ‘telling story’. Story in this case is ‘something was told at dinner that resulted in a powerful audience reaction.’ Set clear time parameters (suggested 3 minutes) for each story.

Give the story some music: Whether you’re a songwriter, dancer, or spoken word artist, music will deepen the story experience. Not required but a nice add on.

Seed the show with strong but not too-seasoned storytellers: Set the bar of what a well-told story looks like and feels like. Performers may range from professional to passionate amateur, but the average quality of featured stories should maintain a level of quality that leaves the audience inspired, not daunted.

Connect the audience to one another: Provide the audience members with a way of seeing each other and honoring their own histories through simple fun introd uctions that allows them to see one another. Invite audience members to share stories at home in the same way. For example: Now, take 3 minutes to turn to a person next to you to share a story about something you got in trouble for as a kid. (Note: nowadays this is can also relate to creation of a user profile).

Provide a featured audience story: Open the stage to feature the well-told audience member story. Also, make sure throughout the show and in the marketing outreach the audience members are clearly invited to reflect on their own stories. This is a constant reassurance that keeps the attention from being too strongly set on the best or most highly-rated storytellers, and entice greater participation.

“Prometheus Power” and other Relevant Myths

March 3rd, 2010

Since the beginning of time, mythology has helped people to better understand the world around them, or as Joseph Campbell said, put our “mind in touch with this experience of being alive.”

When I was seven, I dove into every book on Greek mythology I could find in the Boise Central Library (yes there were more than one). I was captivated by the adventures of the gods…one of my favorites was of Prometheus sneaking up Mount Olympus to bring fire to the people.

Prometheus Brings Solar Myth

Prometheus Shares the Light

I still love reading the old myths. But more and more I’m asking: what of today’s myths put our minds in touch with the experience of being alive in a sustainable society? When we think of our energy future, or when we begin to learn about fish eating plastics in the North Pacific Gyre, where is the myth to provide essential guidance, the hero’s journey that provides an ethical compass that brings us more close in touch with the realities of our world?

Walt Disney of course did a great job of bringing old myths to the screen. One of that I recently saw my son watching was Paul Bunyan:

Hey, Paul (Keep swingin’, Paul!) Paul Bunyan
Cut that timber, show him now
Beat that city slicker now
Hey, Paul
(Get up, Paul!)
Paul Bunyan

No wonder we got into these environmental challenges with guys like Paul as our inspiration. And perhaps we just haven’t had enough time for the new stories to bubble up. Maybe the environmental challenges of modern society (pollution, depleting fuel sources, deforestation, plastics in the Gyre) have occurred too quickly for inspiring stories to rise to the forefront.

James Cameron brought us Avatar, a myth that gives us insight into the interconnectedness of nature. Pixar made Wall-E which gave us a great way to see the pitfalls of a wasteful society, although I would have liked to see a bit more about how to avoid such a world. I’ve had more than a few conversations on this topic with Jonah Sachs, my friend and associate who co-founded Free Range Studios–see The Meatrix and Story of Stuff–both short films that are good examples of modern myths (although admittedly The Meatrix is more of a classic story). But these kinds of stories are still few and far between.

Paul Bunyan sure could cut down those forests. And we’re thankful to have houses to show for it…but as we’re considering the idea that keeping what remains of our forests could be a good call, Paul and his ox Babe are going to have to make way for other myths that tell us about the forest. And about the oceans. And our trash. And while we’re at it, I’m hoping one day to see Prometheus passing out solar panels.

Crowdsourcing site helps publishers find…

March 3rd, 2010

Crowdsourcing site helps publishers find new authors http://ow.ly/1dST4

My good friend and former co-c…

March 1st, 2010

My good friend and former co-creator Yuri Lane tells a story of Chicago via beatbox harmonica. http://www.youtube.com/watch?v=lmag2WSs6Pg

I’ve been to the Edmund Pettis…

March 1st, 2010

I’ve been to the Edmund Pettis Bridge, it holds powerful memories. RT @storycorps: Selma’s Bloody Sunday:45 Years Later http://bit.ly/buboEY

Global Weirding might not be t…

February 24th, 2010

Global Weirding might not be the best title but I agree we should drop Global Warming. #ClimateChange http://tinyurl.com/yhj2n3c